![]() ![]() ![]() Conventional workflows would be time consuming, significantly impact public use of the bridge, and might not produce the level of detail required to generate accurate repair plans. To identify structural deficiencies and develop repair plans, Collins needed detailed information on the condition of masonry for the entire bridge, including stone arches, embankments, piers, and underwater foundations. “The digital model of the Stone Arch Bridge has allowed the team to improve workflow by recording real time inspection notes right onto the model, develop plan sheets from the model, and more accurately pinpoint repair areas.”īarritt Lovelace Director of Unmanned Aircraft Systems (UAS), Artificial Intelligence, and Reality Modeling, Collins Engineers, Inc. To preserve and improve the structural condition of an historical landmark, MnDOT initiated a USD 12 million rehabilitation of Minneapolis’ 140-year-old Stone Arch Bridge.Ĭollins Engineers used ContextCapture to generate a high-fidelity 3D model from 13,000 drone-captured images, improving quantity and quality of data collection.ĭigital twin applications saved 20% in field inspection time, and the digital twin solution is expected to save 10% to 15% in construction costs. Given the age and size of the structure, Collins faced challenges when developing repair plans that traditional data collection methods could not accommodate. To ensure public safety and cultural value of the bridge, MnDOT hired Collins Engineers to assess and restore the structural integrity of the bridge. In the early 1990s, the Minnesota Department of Transportation (MnDOT) converted the 2,100-foot-long masonry bridge into a pedestrian and bicycle pathway. Spanning the Mississippi River in downtown Minneapolis, Minnesota, the 140-year-old Stone Arch Bridge is a former railroad bridge crossing recognized as a National Civil Engineering Landmark. ![]()
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![]() Various economic issues along with lockdowns all over the world became an insurmountable obstacle to the formation of many businesses' budgets at the time. The thing is, the community received many complaints regarding the first end-of-life Drupal 7 was facing. According to the official report, the Drupal community continues to support Drupal 7 due to the devastating impact of COVID-19 on companies' budgets. If you are one of 500,000 Drupal users who are still running websites built with Drupal 7, you're probably wondering why its end of life was extended. Read further to learn more! What Is the Reason Behind Drupal 7 EOL Shift?
![]() ![]() We need more practice A musky can do a lot of thrashing when it is held by a jaw gripper. This year we are using a jaw gripper for musky and pike fishing. ![]() It went berserk when I clamped the gripper on the lower jaw. The battle was not long, not long enough to tire the fish, unfortunately. No rod holder will ever be invented that will allow a rod to be removed easily if even a modest size musky is hooked. “I got one”, he said while fumbling to get his rod out of the rod holder. And right on cue, my partner’s rod lurched back. This quick change from steep bottom to gently sloping bottom is a great place to find musky. This long, steep bank continues to a wide mouth bay where the bottom contour abruptly changes. ![]() Our lines were right where we wanted them, occasionally smacking bottom. We swung wide to avoid the shallow water that extends from the point, then followed the very steep bank. The first time I used that lure was a three-musky day.Ī long point narrows the lake considerably maybe 250 years up from the launch. However, the amount of paint that has been scraped off by musky teeth is a testament to my faith in my wife, Jeri, picking lures. Mine was labeled as a crappie pattern which, to me, looks nothing like crappie. Anderson’s was a black scale color pattern. No luck there this day, though.īoth of our lines were rigged with Grandma Lures, my favorite musky lure. We started trolling not far from the launch ramp through a short stretch that had produced considerable musky action in the past. Climbing back up those cement steps was nearly impossible. If we may flash forward a few hours, sitting in the boat all morning was torture on my knees. ![]() ![]() ![]() Baking: Pop it into the oven for 30+ minutes.If you like, sprinkle some flaked sea salt on top for a hint of savory contrast to the sweet cookie bars. This will give your bars a beautiful, appetizing appearance. Adding the Final Touches: Dot the surface with some clean chocolate chips.Transferring to the Baking Dish: Transfer the mixture to your prepared baking dish and smooth the top out.Try to distribute the chocolate chips evenly so every bite has a bit of chocolate. Adding the Chocolate Chips: Toss in your chocolate chips and fold them in.Be careful not to overmix, as this can lead to tough cookie bars. Incorporating the Dry Ingredients: Dump in the dry mixture and fold it in until it’s mostly incorporated.The eggs will give your bars structure, while the vanilla adds a depth of flavor. Adding the Eggs and Vanilla: Add in vanilla extract and two room temperature eggs.This is the base of your cookie bars, providing them with their rich, sweet flavor. Mixing the Wet Ingredients: In a large bowl, combine melted butter, regular white sugar, and brown sugar.This will make it easier to remove the bars once they’re baked. Preparation: Start by prepping your 8 by 8-inch dish by lining it with parchment paper.100 to 150 grams of jaggery or unprocessed sugar.Here’s how you can make your own batch of these delicious treats: Ingredients □ The recipe for these cookie bars is incredibly easy and quick to whip up. □ How to Make Chocolate Chip Cookie Bars □ Every bite is a burst of sweet, buttery, chocolatey goodness that will have you reaching for more. The outside is crispy and golden, while the inside is soft, chewy, and loaded with melty chocolate chips. They’re not just a cookie or a brownie – they’re the best of both worlds. What makes these cookie bars so special is their unique texture and flavor. □ The Magic of Chocolate Chip Cookie Bars □ That’s exactly what these Chocolate Chip Cookie Bars are! They’re a delightful fusion of the fudgy, gooey texture of brownies and the crispy, crunchy edges of cookies, all packed with the delightful sweetness of brown sugar, butter, and chocolate. Imagine the most decadent brownie and the most delicious chocolate chip cookie coming together to create the ultimate dessert. □□ □ Chocolate Chip Cookie Bars: A Delectable Fusion □ This time, we’re learning how to make Chocolate Chip Cookie Bars, a dessert that marries the best qualities of brownies and chocolate chip cookies into one irresistible treat. Hello, dessert enthusiasts! □♀️ Today, we’re going to delve into a mouth-watering recipe from Preppy Kitchen, a YouTube channel renowned for its delightful and easy-to-follow recipes. ![]() ![]() ![]()
![]() ![]() Note that 3.2.0 has been skipped due to last minute bug fixes.Īs always, please don’t use the autogenerated tarball provided by I am sure there are things I have not mentioned here.We’re proud to announce the new feature release of darktable, 3.2.1!.Some new sorting options are introduced.An option in Preferences makes it possible to display some EXIF data when you hover over an image in lighttable.It is still hidden for square images, though. The file type in lighttable view is more visible, as it it displayed vertically for portrait oriented images.You can have scroll bars on the sides of the image when zoomed in.I wasn’t aware of this when I made the video, so I don’t mention it there. ![]() Parametric masks are now even more powerful and easy to make with the new edge aware feathering option. Not much here, but for those who want to continue using spot removal, you can now change the opacity of each shape intividually. There is also a selection of three different algorithms to calculate the curve smoothness. The curve graph can be viewed in logarithmic mode, which gives much better control in the low light areas. Linked RGB channels is now the default mode, which for many will be the expected way. The tone curve module has also got a few nice updates. You can now use two sliders in each of the shadows, midtones and highlight areas to select a hue and adjust the amount without having to balance the R, G and B channels separately. The color balance module has been reworked and has got some good additions, making it much easier to use. Profiled denoise has also got two presets, meant to be used together when you use two instances to separate color noise and luminance noise. This gives greater control over the noise reduction, minimizing unwanted artefacts. For profiled denoise this is only with the wavelets mode. Updated modules: raw denoise and profiled denoiseīoth these modules have got a graph like the equalizer module, where you can ajust which frequency bands the noise reduction will affect. And where this module really shines is in its ability to work on different detail levels due to frequency separation. Cloning, as well as blur and fill is also available. Where spot removal only used cloning, retouch uses “intelligent” healing by default. Spot removal is still available for compatibility reasons, but it is no longer necessary. This is a replacement module for the old spot removal module, with new and advanced tools. The author of this module, Aurélien Pierre, has written a long and very good article about this module on his website, which is well worth reading: New module: retouch It’s a new approach to shaping the contrast and fitting the relatively high dynamic range of modern cameras into the lower dynamic range of a jpg file, and at the same time mimicing somewhat the image characteristics of film. This is one of the most talked about news. Now we can give the different versions names and we can compare edits quickly with a single mouse click. The new module duplicate manager takes this to the next level. We have always had the possibility to make virtual copies of images in Darktable when we wanted different versions. ![]() A whopping three new modules, significant updates to several others and lots of smaller tweaks all around makes this one a really great release. This time we got a whole lot of new toys to play with. Like the last few Christmases have done, this one too gave us a brand new version of my favourite image processing software, Darktable. ![]() ![]() ![]() Learn more iOS macOS By installation and/or use of the Sonos desktop controller, you are indicating your agreement to the Terms of Use, License and Warranty Agreement. If you do not already have app version 14. This software is a one-stop-shop for all your audio needs thanks to its integration with popular music streaming services, which provide you access to a vast variety of music and audio content without leaving the app. Current version: 15.6 Last updated: Sonos S1 Controller App The Sonos S1 app lets you control Sonos systems with products that are compatible with S1. Build: 69123100 icon Best answer by Corry P Hi Sperl & hatchua Welcome to the Sonos Community We are aware of an issue whereby the Sonos Desktop Controller app on macOS 13 Ventura is unable to update itself. It offers a straightforward interface for managing one's Sonos speakers and personalizing one's listening experience. The Sonos app, developed by Sonos Inc., provides a satisfying and simple user experience. To enjoy the new Sonos Controller apps for Mac and PC, as well as other features of Sonos 3.7 software, Sonos customers must have Mac OS X 10.6 or higher or. You can take advantage of its numerous capabilities, but because Sonos speakers are optimized for use with the Sonos app, customers may be out of luck if their preferred music streaming service is not supported by Sonos. The app offers automatic upgrades that bring new features and enhancements to the system without requiring any action on the part of the user. In addition, there is the option of using the Trueplay technology, which adjusts the audio settings based on the acoustics of the area. Also, you must download the drivers and any IM clients manually. Using the Sonos app, you can change the EQ, speaker name, alerts, and timers on your speakers. You can also use the app's multi-room audio capability to link multiple speakers together or play music from different sources in separate rooms. You can play music from a variety of streaming sources, tweak the volume, skip songs, and make playlists using its speakers. ![]() After the speakers are linked, the app can manage them via your mobile device's Wi-Fi connection. Connecting the Sonos speakers to a power supply and Wi-Fi network is the first step in setting up the Sonos sound system app. ![]() ![]() ![]() This is accompanied by an app which is available for iOS and Android (operating system) powered devices. R2-D2 įollowing on from the success of the BB-8 robot, Sphero has released a R2-D2 robot that is powered by Sphero technology. It has been discontinued after the Disney-Sphero partnership ended. The BB-8 toy was released on Septemit is accompanied by a special Star Wars-themed control app, which also features augmented reality "holographic" messages. Disney also made a minority investment in Sphero. In July 2014, while participating in Disney's technology accelerator program for startups, Sphero's staff were invited into a private meeting with Disney CEO Bob Iger, who showed them then-unseen photos from the production of the 2015 film Star Wars: The Force Awakens and images of BB-8-a spherical droid character introduced in the film, and were offered a licensing deal to produce an official BB-8 toy based on Sphero's technology. It goes at speeds up to 23 km/h (14 mph). Instead of using inductive charging, the Ollie uses a micro-USB port for charging. With its ability to spin, it is more intended for doing tricks. The Sphero Ollie, released in 2014, uses tires instead of being a rolling ball. Ollie An Ollie Darkside with turbo tires on. Sphero 1.0 is not compatible with either Sphero Play or Sphero EDU apps. īoth Sphero 1.0 and 2.0 have been discontinued. Users can program the toys with an app called Sphero Macrolab which includes a set of predefined macros, and orbBasic which uses a BASIC-based language. As it includes an SDK, several apps and games have been developed for the platform. Since they have an accelerometer and a gyroscope, it can also be used as a controller for games on iOS and Android platforms. The toys are controlled with a smartphone or tablet running iOS, Android or Windows Phone via Bluetooth. A refreshed version, Sphero 2.0, was released in 2013, featuring a twice-as-fast speed and increased LED brightness. Bluetooth is used for communication and inductive charging for power. It has two 350 mAh LiPo batteries, two color LEDs, an accelerometer, and a gyroscope. The processor on board is a 75 MHz ARM Cortex M4. It was released in 2011 and is a white orb that has a diameter of 74 millimetres (2.9 in) and weighs 168 grams (0.370 lb). The original Sphero was initially prototyped by its inventors, Ian Bernstein and Adam Wilson, with a 3D-printed shell and electronics taken from a smartphone. In August 2019, Sphero acquired New York City-based startup, littleBits. It has an increased focus on education, and has been released in October 2019 at $249. ![]() It is advertised as a "go anywhere, do anything programmable robot" with modular parts and all-terrain capability. ![]() On February 19, 2019, Sphero announced a programmable tank-tracked kit called the Sphero RVR (pronounced "rover") on Kickstarter. Sphero's current product lineup includes several spherical robots like the original Sphero: the Sphero Mini, BOLT, and SPRK+. The Disney products were discontinued in 2018 after their partnership ended. Following the success of that robot, Sphero also created a model of R2-D2 and Lightning McQueen. In 2015, Sphero struck a licensing deal with Disney to create a BB-8 robot based on the Star Wars: The Force Awakens film. A remastered version, the Sphero 2.0, was launched in August 2013. Their first product, the Sphero, is a white spherical robot launched in December 2011 capable of rolling around under the control of a smartphone or tablet. (formerly Orbotix) is an American consumer robotics and toy company based in Boulder, Colorado. ![]() ![]() Anglo-Saxon England also established a sophisticated system of regional and local administrative units and judicial tribunals. Members of the Witan provided the king with advice and counsel and also had the right to consent to new laws and any changes to ancient custom. Early in the Middle Ages, Anglo-Saxon kings convened assemblies of noblemen (often called barons in England) and high officers of the church, in an institution called the Witenaġemot or Witan. The basis of modern representative governments also progressed in medieval England. Thus our courts have the independent ability to interpret law texts and set precedents that become the basis of future court decisions. The English common law system came to North America with British colonists, and it forms the basis of the judicial system of the United States. In common law courts, judicial decisions themselves become “law,” with the same authority as statutes. Courts in a civil law system have no authority other than what is provided for by specific laws. In a common law system, precedent-previous decisions by courts on various matters-is as important as official law statutes. This body of law was reworked and codified as the Napoleonic Code in the early nineteenth century, and it remains the basis of the legal codes of many European countries today.Įngland’s legal history took a different course, with the evolution of “common law,” or case law. Roman law, which came to be called civil law (from civis, the Latin word for city) seemed especially well suited to regulating the vibrant commercial trade and property transactions that flourished during the central Middle Ages. From about the eleventh century (centuries before the Renaissance), judicial courts in continental Europe drew upon the law codes of ancient Rome as models for the development of complex legal systems. The foundations of modern nation-states and legal codes were established during the Middle Ages. How do medieval manuscripts help us to understand the “long view” of the development of many modern institutions?.Why might Renaissance and later historians want to envision an abrupt difference between their own times and the medieval past?.Writings and book illustrations from the Middle Ages demonstrate the vitality of the period. ![]() Medieval Europe bequeathed a legacy to the Renaissance and beyond that continues to influence our thought, art, institutions, and culture. But many areas of life experienced more continuity with the Middle Ages than change. The Renaissance certainly encompasses a distinctive culture, with indisputably new ideas. Medieval inventions include staples we take for granted in our everyday lives, from buttons, mechanical clocks, and eyeglasses to systems of banking, credit, bookkeeping, and insurance. Medieval thinkers grappled with the writings of the ancient Classical philosophers, incorporating Aristotelian logic into new methods of working through theological debates. Medieval artists and craftspeople created exquisite works, from tiny, detailed miniature illuminations adorned with gold leaf, to radiant fresco paintings, to soaring cathedrals glowing with intricate stained glass pictures. The era saw the development of many institutions we take for granted in the world today, in law, government, and education. ![]() In fact, the European Middle Ages were a time of tremendous creativity and innovation. However, that view has been eclipsed by more recent historians who emphasize the accomplishments of the medieval period. Some historians of the nineteenth century saw the Renaissance as a sharp break with the medieval “dark ages,” a sudden burst of intellectual light after the supposed gloom and stagnation of the Middle Ages. It involved a flowering of art and scholarly and philosophical pursuits, often inspired by a renewed interest in the Classical cultures of ancient Greece and Rome. The cultural phenomenon called the Renaissance began in Italy during the fourteenth century and spread throughout much of Europe by the end of the sixteenth century. But of course people who lived at that time did not think of themselves as being in the middle of anything-they, like we, referred to their own time as “modern.” A seventeenth-century German historian, Christoph Keller, first came up with the idea of dividing history into ancient, medieval, and “new period.” Today, the period in Europe from about the year 500 through approximately 1500 CE is called the Middle Ages, or the medieval era (the word medieval comes from the Latin medium aevum, literally middle age). ![]() ![]() She was romantically linked to actor Gabriel Byrne during the filming of Smilla’s Sense of Snow in 1996. Ormond married Rory Edwards, an actor she had met while performing in a production of Wuthering Heights. In 2010, she won an Emmy Award for her supporting role in the HBO Movie Temple Grandin. Ormond has produced film projects through her Indican Productions company located in New York City. She has been quoted, "My sense is that Hollywood is something in the past. She was reunited with Brad Pitt in The Curious Case of Benjamin Button and also appeared with Benicio del Toro in Che, with Abigail Breslin in Kit Kittredge: An American Girl Mystery, and with Bill Pullman in Surveillance (2008 film)|Surveillance, working with acclaimed directors such as David Fincher and Steven Soderbergh in two of the these projects. She starred in four projects released in 2008. She appeared in David Lynch's 2006 film Inland Empire and in 2007's I Know Who Killed Me alongside Lindsay Lohan. In the 2000s, Ormond has worked in various projects, albeit in more supporting roles. Ormond also appears as a guest star during the 2008-09 season of the CBS police procedural series, CSI:NY. Kennedy Journalism Award, and was an official selection of the Toronto and Berlin Film Festivals. ![]() She also has an independent production company, Indican Productions, based in New York City, and she executive produced the Cinemax Reel Life documentary Calling the Ghosts: A Story of Rape, War and Women, which won a CableACE Award and a Robert F. Her TV credits include HBO's Stalin and Iron-Jawed Angels, the drama series Traffik, Varian's War and Animal Farm. She also had a major role in the controversial Peter Greenaway film The Baby of Mâcon with Ralph Fiennes. Her film credits include Jerry Zucker's First Knight, Captives with Tim Roth, Legends of the Fall with Brad Pitt, Anthony Hopkins and Aidan Quinn, Sydney Pollack's Sabrina with Harrison Ford, "Resistance" and Smilla's Sense of Snow. Ormond's stage credits include The Rehearsal, Wuthering Heights, The Crucible, Christopher Hampton's Faith, Hope and Charity, for which she won the London Drama Critics' Award for Best Newcomer, and David Hare's My Zinc Bed, for which she won an Olivier Award nomination. ![]() |
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